The poet and musicians of Sparta Terpander are considered to be the first to sing poetry to certain melodious motifs (tunes), i.e. to remember and recite poetry using repeated musical phrases.
He has also improved the first professional musical instrument - kifara, a diversity of lyre. Through the addition of three additional strings (tetrachord) to the four strings (tetrachord), the range of the tool increased to nearly one octave and the theoretically further divided the range into tones and web page halves, the simplest interfaces among sounds.
The first attempts to explain music, especially the intervals between sounds, are ascribed to the philosopher and the mystic Pythagoreans by utilizing mathematic, and the relationship between those intervals and the movement of the planets. The Pythagoreans used a sequence of regular fractions to define the musical structure and computed the harmonic and inharmonious intervals. The interval was made using a monohord - an instrument without a resonator with a string and a moving spanner - the creation of which is also credited to Pythagoras. It sounded not in actual music, but just those near to it, that were scientifically created intervals.
The theory is separated from practice by the Pythagoreans up to the 17th-18th century, web site when developing a musical language means that intervals are again essential, so that new instruments (particularly keyboards) do not ring out.
He has also improved the first professional musical instrument - kifara, a diversity of lyre. Through the addition of three additional strings (tetrachord) to the four strings (tetrachord), the range of the tool increased to nearly one octave and the theoretically further divided the range into tones and web page halves, the simplest interfaces among sounds.
The first attempts to explain music, especially the intervals between sounds, are ascribed to the philosopher and the mystic Pythagoreans by utilizing mathematic, and the relationship between those intervals and the movement of the planets. The Pythagoreans used a sequence of regular fractions to define the musical structure and computed the harmonic and inharmonious intervals. The interval was made using a monohord - an instrument without a resonator with a string and a moving spanner - the creation of which is also credited to Pythagoras. It sounded not in actual music, but just those near to it, that were scientifically created intervals.
The theory is separated from practice by the Pythagoreans up to the 17th-18th century, web site when developing a musical language means that intervals are again essential, so that new instruments (particularly keyboards) do not ring out.